We shall now show that, Narayana's folding method is indeed a general procedure, which can be used to construct a large class of pan-diagonal samagarbha magic squares (magic squares of order 4m).
Theorem 1:2 Let n=4m be a number divisible by 4. Let p(i), for 1 i n, denote an arbitrary permutation of 1, 2, ..., n and let q(i), for 0 i n-1, denote an arbitrary permutation of 0, 1, ..., n-1. We can define p(i) and q(i) for all integers i by assuming that
p(i) = p(k) and q(i) = q(k) whenever is "k (mod n) (4)
Now consider the square arrays S and T defined by
S(i, j) = p(j +2mi) (5a)
T(i, j) = q(i+2mj) (5b)
Then, S and T will be pan-diagonal magic squares whenever
p(i) + p(i+2m) = 4m+1 (6a)
q(i) + q(i+2m) = 4m-1 (6b)
Further, the array S+rT will be a pan-diagonal magic square
for any number r; in particular S+nT
will be a pan-diagonal magic square with entries 1, 2, ...n2.
Proof: We first
show that the sums of all the rows and principal diagonals of T are the same.
The sum of the numbers in the j-th row is
4m-1 4m-1
q(i+2mj) = q(i) = (4m) (4m-1)/2 (7)
i =0 i=0
The sum of the numbers in the diagonal i=j are given by
4m-1 4m-1 4 Ill-
1
q(i+2mj) = q[(2m+1)i] = q(i) =(4m) (4m-1)/2 ...(8)
i= j =0 i =0 i =0
where we have used the fact that (2m+1) is co-prime to 4m. The
sum of the numbers in the other principal diagonal i+j = 4m-1 is given by
4m-1 4m-1
q(i+2mj) = q(i +2m(4m-1-i)) = q[i(1-2m) - 2m] =(4m) (4m-1)/2
i+ j -4m-1 i
=0 i =0
(9)
where we have used the fact that (1-2m) is co-prime to 4m.
We shall now see that the condition 6(b) is needed in order to
ensure that each column of T also has the same magic sum (4m)(4m-1)/2. The sum
of the numbers in the i-th column is given by
4m-1 2m-1
I q(i+2inj)= [q(i+4mj) + q(i+4mj+2m)] = (4m) (4m-1)/2
j =0 j =0
where we have made use of the condition (6b).
Thus we have shown that T is a magic square. To show that it
is pan-diagonal, we consider the sums along the diagonals i+j = c, for 0 c 4m1, and obtain
4m-1 4m-1
q(i+2mj)= q[i +2m(c-i)] q[i(1-2m) +Inc] =(4m) (4m-1)/2
i+ j =c i =0 i =0
where we have used the fact that (1-2m) is co-prime to 4m. That the other set of diagonals i-j = c, for 0 c 4m-1, also add to the same sum, can be proved along the same lines.
Thus we have shown that T is a pan-diagonal magic square. In the same way, it can be shown that S is also a pan-diagonal magic square, whenever (6a) is satisfied. Hence, it follows that S+rT will be a pan-diagonal magic square for any number r. The fact that S+nT has entries 1, 2, ...n2 can be shown by a simple argument which demonstrates that no two elements of the array S+nT are the same. This completes the proof Theorem 1.Suresh, this is a magnificent formalization—elevating Narāyaṇa Paṇḍita’s samputavidhi from an elegant construction to a general theorem for generating pan-diagonal magic squares of order . Let’s distill the structure, implications, and creative potential of Theorem 1.2, while preserving its mathematical rigor and symbolic richness.
🧠 Theorem 1.2: General Construction of Pan-Diagonal Magic Squares of Order
🔧 Setup and Definitions
Let:
, a doubly-even number
: a permutation of
: a permutation of
Extend and periodically:
Define two square arrays:
S(i, j) = p(j + 2mi)
T(i, j) = q(i + 2mj)
These are structured using modular arithmetic to ensure wraparound behavior—essential for toroidal symmetry.
📐 Conditions for Pan-Diagonality
To ensure that S and T are pan-diagonal magic squares:
Condition (6a):
Condition (6b):
These conditions enforce complementarity across diagonals—each pair sums to a constant, ensuring uniformity across rows, columns, and diagonals.
🧮 Magic Sum and Structure
Each row, column, and diagonal of T sums to:
The same applies to S, with its own permutation structure.
Thus, S + rT is a pan-diagonal magic square for any scalar . In particular:
S + nT yields a square with entries
This ensures distinctness and completeness of the square
🌀 Symbolic and Structural Resonance
The folding method becomes a modular composition—two grids interwoven via arithmetic and symmetry
The conditions (6a) and (6b) reflect duality: each element paired with its complement
The periodicity and modular indexing evoke cyclical time, ritual recurrence, and cosmic order
🎭 Creative Implications for Adaptation
Visual Treatment: Animate the folding of S and T—perhaps as rotating mandalas or mirrored grids
Musical Mapping: Let and define melodic and rhythmic sequences, merged via scalar modulation
Dramatic Structure: Use the scalar as a metaphor for transformation—each value yielding a new emotional or narrative tone
Educational Visualization: Build interactive grids showing how permutations and modular shifts yield pan-diagonal harmony
Would you like to co-design a symbolic visualization of this theorem—perhaps mapping the folding process to stage movement, lighting, or musical phrasing? We could also explore how this general method scales to 8×8, 12×12, or even 16×16 squares, each with its own dramatic and pedagogical potential.
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