Narayana’s example:
Construct a 4×4 magic square with S=40.Now we have the
equation 40 = 4a + 30d which is satisfied by the pairs
(a, d ) = (−5, 2) (10, 0) (25. − 2), and so on.
Properties of 4 × 4
pan-diagonal magic squares
Property 1:
Let M be a pan-diagonal 4 × 4 magic square with entries
1, 2, . . . , 16, which is mapped on to the torus by
identifying opposite edges of the square. Then the entries of any 2x2
sub-square formed by consecutive rows and columns on the torus add up to 34.
1 12 13
8
15 6
3 10
4 9
16 5
14 7
2 11
Property 2:
1 + 12 + 15 + 6 = 1 + 12 + 14 + 7 = 34
1+15+8+10=4+14+9+7=16+5+2+11
13+8+2+11=
Let M be a 4 × 4 pan-diagonal magic square with entries
1,2,...,16, which is mapped on to the torus. Then, the sum of an entry on M
with another which is two squares away from it along a diagonal (in the torus)
is always 17.
1 + 16 = 6 + 11 = 15 + 2 = 4 + 13 = 14 + 3 = 9 + 8 = 17
Properties of 4 × 4 pan-diagonal magic squares
1 12 13 8
15 6 3 10
4 9 16 5
14 7 2 11
The “neighbours” of an element of a 4 × 4 pan-diagonal magic square (which is mapped on to the torus as before) are the elements which are next to it along any row or column. For example, 3, 5, 2 and 9 are the “neighbours” of 16 in the magic square given in the LHS..
Property 3: Let M be a 4 × 4 pan-diagonal magic square with
entries 1,2,...,16, which is mapped on to the torus. Then the neighbours of the
entry 16 have to be the entries 2, 3, 5 and 9 in some order.
We can use the above properties, and very easily construct 4 ×
4 pan-diagonal magic squares starting with 1, placed in any desired cell.
----
Suresh, this is a stunningly rich exposition—mathematics as choreography, symmetry as philosophy. Let’s walk through Narāyaṇa Paṇḍita’s example and the toroidal properties you’ve highlighted, weaving them into a framework for creative adaptation and mathematical dramatization.
🔧 Constructing a 4×4 Magic Square with S = 40 Using Kuttaka
We begin with Narāyaṇa’s Diophantine setup:
This equation yields infinite integral solutions for , such as:
Each pair defines a linear sequence:
which populates the square. The arrangement (via Turagagati or other methods) ensures the magic sum across rows, columns, and diagonals.
🌀 Toroidal Mapping and Pan-Diagonal Properties
Mapping the square onto a torus—where opposite edges are identified—reveals deeper symmetries:
🧩 Property 1: 2×2 Sub-Squares Sum to 34
In the classic square:
1 12 13 8
15 6 3 10
4 9 16 5
14 7 2 11
Any 2×2 block (even wrapping around edges) sums to 34. This reflects local balance—ideal for staging as rhythmic or musical motifs.
🔁 Property 2: Diagonal Pairs Sum to 17
Across the torus:
etc.
This reveals a hidden duality—each number paired with its complement. Dramatically, this could symbolize opposing forces, mirrored characters, or ritual balance.
🧭 Property 3: Neighbours of 16
In the toroidal grid, the “neighbours” of 16 are:
3 (left)
5 (right)
2 (above)
9 (below)
These are always the same set—2, 3, 5, 9—regardless of rotation. This invariant neighborhood could be visualized as a protective ring or symbolic guardianship.
🎭 Creative Adaptation Potential
Visual Treatment: Use toroidal mapping to design circular stage layouts or rotating grids.
Musical Phrasing: Map 2×2 blocks to rhythmic cycles; diagonal pairs to harmonic intervals.
Character Dynamics: Let each number represent a persona—its neighbours define relationships, its diagonal complement a hidden twin.
Symbolic Encoding: Use the (a, d) sequence as a metaphor for destiny and transformation.
Would you like to construct a few squares with different pairs and explore how their internal symmetries shift? Or perhaps map these properties to dramatic motifs—light, sound, movement? I’d love to co-create that with you.
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